Key takeaways from The Gathering 2025

The Touring Network’s flagship annual event was held across 9-10 May in the historic Strathpeffer Pavilion, providing time and space for promoter and performer members, funders and other creative professionals to connect with each other and see new work.
Showcasing new work
The Gathering directly connect rural promoters and programmers to a range of high-quality, ready-to-tour acts. This year, delegates were able to see ten performers from multiple genres showcase their work, with a further 14 presenting shorter Wee Turns.
Showcasers
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Alys Williams
The Light House is a real-life love story about holding onto each other, even in the darkest times. Tender, funny and defiantly hopeful, it’s a love letter to life.
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ChokKa
Original Electronic Music for the head and the feet, played live with instruments. ChokKa are a 3 piece band with great, funky music.
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Deiseil airson Dannsa
Deilseil airson Dannsa: Dancing in Time is a compelling journey across centuries of tradition, told through fiddle, feet, Gaelic song and storytelling.
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Tragic Carpet
Freda O’Byrne’s Tragic Carpet present Suitcase Stories, a series of tiny world performances, small enough to fit in a suitcase. The Little Toy is for ages 3-5, The Seven Ravens for ages 6-9 and Nosferatu for ages 9+.
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Haver Quartet
Haver Quartet is a genre-defying string quartet with the mission of creating meaningful and accessible musical experiences for all.
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Lauren Collier
Talented emerging Scottish musician Lauren Collier, is making a name for her virtuosity on the fiddle and captivating vocals.
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Malcolm Sutherland
Solitude Without Loneliness is an evocative piece where bodies and characters collapse, separate, and reform in a constant search for meaning, attachment, and understanding.
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Moteh Parrot
Moteh Parrott is an Edinburgh-based alternative-indie-folk artist from The Highlands via Africa.
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Penny Chivas
Where We Choose to Stand is a powerful new performance inspired by climate activism and political change, blending movement, music, real stories, and moments of audience connection.
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Ruby Warblers
Performed by Jenny Q and Myshkin Warbler, Held on the High Wire is a candid, spellbinding multimedia performance telling the story of Jenny’s near death experience, sepsis survival, and new life on metal legs.
Wee Turns
- Gerry Flanagan – Shifting Sands Theatre
- Rebecca Atkinson-Lord – An Tobar and Mull Theatre
- David Gilbert – Resolis Community Arts
- Sheena Miller – Rural Touring Agency
- Luke Winters – Story Wagon
- Jen Wren – Mòr ARTSPACE
- Kemono Riot – THREE60
- Lubna Kerr
- Alice Mary Cooper
- Robert King
- Sharon Took-Zozaya
- Graeme Leak – SAVED
- Theiya Arts Dance Collective
- Iain MacKechnie – The Other
Dance in focus
This year the Gathering 2025 brought dance centre stage, hosting a workshop that aimed to inspire and encourage promoters to programme more performances from this genre.
Anita Clark, Director of The Work Room and Lulu Johnston, Creative Scotland’s Dance Officer, led a brilliant and energetic session, sharing information about dance performances currently touring, as well as potential funding streams. You can see a copy of their presentation. Key points included:
Dance performances currently touring rurally
- AFTER ALL by Solène Weinachter. Currently touring in some Touring Network venues in summer 2025, and have capacity for further touring in the Autumn.
- Bodies of Water by Saffy Setohy. Currently touring in some Touring Network venues. Have some capacity for further dates.
- BLOOM by Kae Sakurai. Kae is a step dancer and fiddler. BLOOM integrates dance, music and video and is touring in the Autumn.
- A Journey of Flight by Kathryn Gordon. Touring in the summer and available for further touring.
- These Mechanisms by Christine Thynne & Robbie Synge. Will be adapted for rural touring in June followed by touring in October 2025 and Spring 2026.
- A Home For Hamish by Clare Adams and Les Howard. For children. Created for both studio theatres and village or community halls, it will be touring in Autumn 2025 and next Spring/ Summer.
Creative Scotland’s Touring Fund
The Touring Fund supports professional theatre and dance productions of varying scales to tour across Scotland. Applications can come from individual artists, companies, producers, or consortia of venues presenting a shared touring programme. Venues & Promoters must be part of the Touring Fund venue cohort and follow The FST Touring Code of Practice to be eligible to receive and programme Touring Fund work.
I made connections to musicians we would like to host at some of our gigs…I connected with a comedian, dancers and lots of other interesting and diverse people from different genres. I felt a sense of belonging.”